What a year it had been – Covid, revival, promise of hope, again lock downs … Beginning of 2021 felt like a deja vu. Now it seems like the deja vu is repeating itself again. But still, a lots happened this past year as well. Let us drop the prejudice of 2021 (as we did for 2020 as well). Given the situation it indeed was a great year. Experienced some amazing night skies, made some wonderful connections, got to capture views that only a few witness and some lovely experiences along the way. Took an intentional hiatus from social media for the past 8 months, as I felt it was influencing a lot on the kind of shots I make and the experiences that I attracted. But I do see that it is for me to be aware of the influences. Sharing opens up conversations and connections that wouldn’t be possible otherwise. I knew it was not you (social media), but me. Nevertheless, it was a lesson that I have to pick up as my own. On a different note, I had never been a birder, I did occasionally capture a few flying beauties from my travel. But as the year wrapped up, tried to play around in this new genre as well. Trying to capture the birdies, especially the tiny ones, calls for a different level of patience and perseverance. Keen to see how this unfolds and eager for the new learning opportunities that it brings. Here is to 2022 – to more learning, more travel, more connections & enriched experiences. Focus, enjoy and equip for the journey forward :)
Thirumalai Nayakar Mahal built (in 1636) by Thirumalai Nayakar at Madurai, intended this palace to be one of the grandest in South India. The design and architecture is a blend of Dravidian and Rajasthani styles. The interior is richly decorated whilst the exterior is treated in a more austere style. This palace is situated 2 km south east of the Meenakshi Amman Temple. The original Palace Complex was four times bigger than the present structure. The steps leading up to the central hall were formerly flanked by two equestrian statues of excellent workmanship. As you can witness, part of this is still standing the test of time and various historical events & wars. The throne in the center was incidentally lit by the ambient light from the stained glass windows by the dome. The palace constructed using foliated brickwork was finished in exquisite stucco called chunnam (shell lime) mixed with egg white to obtain a smooth and glossy texture. This probably inspired the Natukottai Chettiars, 200 years later in their own construction.
Kere Basadi in a literal sense means the Lake Temple. Located somewhere in the Udupi district is a small native village of Varanga. Located here and surrounded by lush nature, this is a place where the architecture imbibes the way of lifestyle and sustenance. Access to the temple takes one thru meandering roads thru serene nature. Once there (white vehicle parked :)), one needs to take a boat to the temple. Loved how the temple was architectured around the lake which in turn was supporting the local sustenance. The journey helps soothe the mind and creates an intent of travel, rather than being just a passing insta photo op :)
